By the time Arnold and Richter set up their first shop on Tuerkenstrasse, cinema had been flourishing for 22 years. One hundred years later, the company they started is still located at the same address, now much larger, with approximately 1,500 employees worldwide. In the beginning, the boys were not even old enough to legally sign their business documents.
#Fps creator classic name and serial number movie
On September 12, 1917, August Arnold and Robert Richter founded ARRI in a small shop on Tuerkenstrasse in Munich to satisfy an eclectic assortment of interests, as announced on their business cards: “Fine mechanics, electrical devices, arc lamps, film apparatus, film printers, camera operating and projection.” Their first products were movie lights and printing machines. ARRI is among a handful of equipment companies founded at the birth of cinema that continue to this day. Making these machines is also an art-and it is a remarkable achievement for one family-owned enterprise to have successfully engaged in that pursuit for a hundred years. Collecting ephemeral images inside a dark box is an intertwined intersection of art and machine. The centennial celebration of the connections between cinematography and ARRI is a story about artists and artisans, technique and technology, creativity and tools. They were involved in all fields of film production-from manufacturing cameras, lights, and lenses to managing post and rentals. Serendipity helped, along with good business sense. There is a dramatic arc, with competition, conflict, struggle against odds, stumbles, success and celebration. The excellent adventure of August Arnold and Robert Richter reads like a good screenplay. ARRI was founded a century ago by two aspiring cinematographers who appreciated the value of technology in the pursuit of their dreams.
0 kommentar(er)
